Find great deals for Hal Leonard Progressive Bass Concepts – John Myung Video. Shop with confidence on eBay!. Shop for the Hal Leonard Progressive Bass Concepts – John Myung Video and Topics covered in the bass guitar lessons include chord tones, patterns and. John Myung from Dream Theater is one of my greatest influences and I recently primary/ I think he called it progressive bass concepts for a reason.

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Dream Theater – John Myung

The StingRay his main live instrument in that period was customized with an added lessn pickup driving a clean bass amp, while the bridge signal was sent to the effects chain. Archived from the original on A Change of Seasons.

This article is about the American musician. After Tung ceased production, Myung began endorsing Yamaha conceprs, using its TRB and John Patitucci six-string fretted and fretless basses live while working with Yamaha’s Artist Custom Shop on what would become his signature instrument.

In a later interview, he said that this will not be considered a signature model, per Music Man’s company policy. For the American poker player, see John Myung poker player.

[Bass Lesson] John Myung – Progressive Bass Concepts

Archived from the original on June 21, Producer Kevin Shirley and keyboardist Derek Sherinian have said that Myung is the only musician they know who “warms down” after a show.

Myung mainly uses a two or three finger picking style in his playing.

Retrieved from ” https: Myung is known for his rigorous practicing schedule. Myung wrote the lyrics to one song per album from Images and Words to Metropolis Pt. He has also leason Moog Taurus 3 Bass Pedals since This page was last edited on 7 Decemberat After graduating from high school, he and Petrucci enrolled at the Berklee College of Musicwhere they met Mike Portnoy.


Age of Impact Raising the Mammoth. The finished product was a bass with a 6-string body but with the 6 strings accommodating a 5-string neck, resulting in a tighter string spacing.

And 21 Other Pretty Cool Songs. Live in Tokyo 5 Years in a Livetime Metropolis After taking violin lessons from the age of five, he started playing bass guitar at fifteen.

The natural-finish Wingbass II was his main live instrument in this period, and all three appear in his “Progressive Bass Concepts” instructional video.

Dream Theater sources report that the Stick routinely comes into the studio and has sometimes made it so far as tracking the song “Home” from Scenes from a Memory originally featured itbut it has not made the mix since Falling into Infinity. Footage from the recording of Systematic Chaos in showed Myung playing various Music Man basses. His best known use of tapping is his solo in the song “Metropolis. A bolt-on bass with alder body with flame-maple top, 35” scale, and “Infinity” dot inlay on the fretboard, various Red and Blue RBX6JM models were thereafter his main studio and live instruments untilalthough he experimented with a Hamer 8-string bass and Music Man StingRay five-string while recording Six Degrees of Inner Turbulence.

Bass Lesson – John Myung Progressive Bass Concepts

The trio became the nucleus of Dream Theaterwhich became Myung’s primary professional focus. Myung owned at least three of the only instruments constructed, two “Wingbass II Bolt-on” six-strings one Natural and one Sunburstand one “Wingbass II Hybrid a “half neck-through”.


As a conceptd, the band eventually imposed an unwritten lyric rule that required lyrics to be “properly formed, phrased, constructed, etc.

On July 23,Sterling Ball announced that Myung was moving to Music Man, writing that “John has fallen in love with the prototypes that we made of the Bongo 6 and is now playing them exclusively. In other projects Wikimedia Commons. From Wikipedia, the free encyclopedia.

Скачать [Bass Lesson] John Myung – Progressive Bass Concepts – смотреть онлайн

Portnoy has claimed that this was because Myung’s lyrics usually needed some work by the rest of the band to fit to the song. Myung uses both tapping and fingerstyle to play the Chapman Stick. He sometimes uses slapping and popping on some songs, such as “The Dark Eternal Night”, and also uses tapping and harmonics in his bass playing.

Dream Theater’s group writing process makes it difficult to identify which member of the band authored a particular song or song section, but on DVD commentaries, the band members have sometimes identified certain parts as “a John Myung riff,” such as parts of Fatal Tragedy and the introduction to The Glass Prison.