Horo: Horo, communal dance of Bulgaria. Performed for enjoyment at festive gatherings, it has many varieties, the moods of which range from solemn to. Ансамбъл “Хоро” има удоволствието да участва на 27ми март на 50та годишнина от Пролетния фестивал, организиран от “Балкански игри”! Всички. The “Great Bulgarian Horo Washington ” was held for the first time at the Thomas Jefferson Memorial in Washington, DC on May 12th, The event was.

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Bulgarian folk dances are intimately related to the music of Bulgaria. This distinctive feature of Balkan folk music is the asymmetrical meterbuilt up around various combinations of ‘quick’ and ‘slow’ beats.

The music, in Western musical notationis often described using compound meter notation, where the notational meter accents, i.

Horo | dance |

Many Bulgarian dances are line dancesin which the dancers dance in a straight or curved line, holding hands. Many Bulgarian dances are line danceswith the dancers holding hands in a straight or curved line, facing in toward the center of the dance space.

Originally men and women danced in separate lines, or in a gender-segregated line in which the last woman and first man held opposite ends of a handkerchief, to avoid gender contact but today men and women often dance in mixed lines. Several different handholds are used in the different dances”.

Bulgarian dances are distinctive for their subtle rhythms and intricate footwork. In some dances, the dancers repeat the same pattern of steps hulgarian the dance, while others are “called” dances with several different steps in which the leader calls out changes in the steps at his discretion.

Still, others have a basic step which individual dancers may embellish at specific points with variations like stamps and foot slaps. In dances in which the line moves to the right or left, the dancer at the head of the line is the “leader”. It is his responsibility to lead the line bulgarixn it doesn’t collide with other buogarian, and in “called” dances to call the variations.

New dancers joining a dancing line hkro at the end; it is bad manners to join at the head of the line, in front of the leader. Bulgaria is divided into seven ethnographic regions: Each region has its own distinctive style of dance, to the extent that a knowledgeable observer can often tell which region a group of Bulgarians comes from by how they perform a popular dance like the pravo.

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In addition, due to the intricate ethnic mix in the Balkans, each locality and even each village may have its own variation of a dance, different enough that it bupgarian to a bulgariqn dance. In Bulgarian bulgaran literature, local variations are often differentiated by adding the geographical origin to the dance name: The proportions of the beats do not follow any exact rational proportions.

Here, the bulharian two forms exist both as a musicologist’s way to attempt to indicate the tendency of speeding up the last and first beats, as well in formal version, where the musician plays 3 bulgagian 4 about equal length notes on the beat. Given this fact, though, some meters are more common or popular, but there is a wide variation of less frequent combinations, as well.

There is also disagreement about whether one should use 1 8 or 1 16 as meter denominator, but this is just a notational convenience. In the list below, the denominator follows in part notational practice of the region, and in part the speed of the type of tune, giving the 1 4 note a reasonable number of beats per minute as on a metronome. Folk dancers often speak in terms of “quick” and “slow” instead of a steady meter “1, 2, 3,” etc.

These dance rhythms may not agree with the rhythms and meters performed by the musicians. Therefore, in dance instruction, quick and slow beat descriptions, in combination with intuition and careful listening, may be a good approach, though not suitable for performing and notating the music. In addition, a dance instructor not familiar with the exact musical rhythms should not demonstrate these dance rhythms without music.

The magic of the Bulgarian dance “horo”

It would be best to use a slowed-down playback, lest the dancers become confused at full speed. Below is a list of some Bulgarian folk dancesalong with their commonly written rhythms and time signatures. The word horo means “dance” and is sometimes added to the name of the dance. Since the transliteration of Bulgarian is problematic, the official Bulgarian transliteration is used, which can be checked at Transliteration of proper names in Bulgariafollowed within parenthesizes by the Bulgarian name and, after a semicolon, for searchability alternative transliterations.

Following a Bulgarian sheet music practice, more complex meters generally appear later in the list. Yove male mome and sedi donka can be thought of as a compound of common 7 chetvorno and 11 kopanitsa meters, but it is more unclear what sandansko horo should be: Thus, even though these are well-known rhythmic patterns, one may not arrive at an unambiguous meter interpretation, the way listeners of Western music are used to.


Many of the dances are formed by each person holding the belt or sash of the dancer on either side. These belts are typically fit loosely around the waist so that each person can move easily within the belt, while the overall line can stay together. Although there are basic steps that make up the dance, certain people may bbulgarian variations, sometimes forming a competition between the dancers.

Bulgarian dances

These variations must result in the same movement as the rest of the line, but may consist of additional or slightly different steps. For example, the basic pajdushko horo dance bulgarlan of a series bylgarian four hop-steps actually, lift-steps to the right, followed by a series of four steps to the left where the right foot crosses in front of the left foot on the quick beat, then weight is transferred onto the right foot, which pushes the dancer to the left on the slow beat.

Finally, the line moves backwards using four hop-steps, and the dance is repeated. Variations might consist of alternating the right foot in front of and behind the left foot, forming a basic grapevine dance step. Another variation might be that instead of hop-steps backwards, a dancer might use a series of scissor steps and end with a pas-de-bas step.

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This page was last edited on 14 Novemberat By using this site, you agree to the Terms of Use and Privacy Policy. Part of a series on. Bulgarian Dialects Banat Bulgarian.

List of Bulgarians People of Bulgarian descent.