Soul LamentPour Wouf58 Kenny Burrell ” Midnight Blue ” Words & Music by Kenny Burrell Emadd9 Emadd9. Soul Lament by Kenny Burrell – discover this song’s samples, covers and remixes on WhoSampled. Midnight Blue is a album by Jazz guitarist Kenny Burrell featuring Stanley Turrentine on “Chitlins con Carne” – ; “Mule” (Kenny Burrell, Major Holley Jr.) – ; “Soul Lament” – ; “Midnight Blue” – ; “Wavy Gravy” –
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Few albums capture the aesthetic of Blue Note’s golden era better than Midnight Blue —a consistent set of original minor grooves meant to be experienced in its entirety, rather than padding for one standout track—and it justifiably occupies a place in the jazz canon, kenny common entry on countless essential listening lists. If you are running an ad blocker, please disable it on whosampled.
Darker hues ruled the night, and the pale moonlight of a lovelorn skyline meant it was past last call and all that remained of the day aoul an overwhelming air of what could only be called the blues.
His deceptively clean guitar solo walks a tightrope between endless space and airtight rhythmic motifs; a devil-may-care attitude in the face of death that comes from having been down and out and having lived to tell about it. The album opens with Burrell’s classic minor blues, “Chitlins con Carne. Adblock Plus Click the AdBlock Plus button on the top lamrnt of your browser’s toolbar addons and click Disabled on whosampled.
This is possibly because you are running an ad blocker or another browser extension that is preventing ads from showing, or are using browser privacy settings that do not allow ads to show. As always with Burrell, though, never mistake brevity for simplicity; the fathomless bar mantra has no two identical choruses, and Burrell doesn’t rely on reflexive facility, the blues equivalent of fool’s gold. Every subscription supports the running of our service.
Please sign in or sign up. Burrell got his start as a Detroit rhythm guitarist; as a result, his time is unerring and right in the pocket, he always spells out the chords and forecasts where he’s going, but like a great bus driver, he doesn’t draw attention to the underlying mechanics. Holley establishes the groove with a well-articulated bass line, which Burrell glides over sparsely, until the saxophonist comes in to state the head in unison with the guitar.
Burrell keeps it mellow on the aoul “Soul Lament,” a solo minor groove that departs from the blues form but nevertheless retains its spirit.
On this outing, he is joined by like-minded players who create the illusion of a loose blowing session within a tight framework: Turrentine returns on “Wavy Gravy,” a smoldering mid-tempo blues waltz that brings the minor groove to a new tension point. You must birrell logged in to comment.
Soul Lament: Kenny Burrell’s Midnight Blue | Spotlight | Blue Note Records
Undoubtedly, was a high-water mark for jazz, in New Jersey and elsewhere. One of Burrell’s most enduring achievements, the album plumbs the depths of the blues for its harmonic subtleties and lyricism in a manner that can be readily accessible on its face yet challenging enough to reward repeated visits. Refresh the page to see the result.
Burrell uses it as a springboard for his effortless, behind-the-beat bebop phrasing, playing off English’s sultry brushwork. We’ve detected that your browser isn’t showing ads.
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Discussion Be the first to comment on this track! The two continue riffing over each other until it all starts to fade out—the blues are never finished, merely abandoned at dawn—as Saturday night palpably fades into Sunday morning.
Turrentine’s matter-of-fact statement of the melody establishes his by turns lugubrious and diaphanous sound. The pace picks up abruptly on the title track, which reintroduces the rhythm section, but not Turrentine. The eight-bar intro lays down laemnt pulsing Latin clave, with Holley pedaling the bass as Barretto takes liberties on the lameng. Burrell’s sparse comping sets the album’s precedent for succinctness, one of his hallmarks.
Kenny Burrell Electric Guitar: Recorded 50 years ago at Van Gelder studio in Englewood Cliffs with Burrell’s pianoless quintet, the album still holds up to critical scrutiny, or to a pairing with a half-empty bottle of Scotch. Turrentine simply wails; his style contrasts perfectly with Burrell’s cavalier detachment.
Though under three minutes, this represents some of Burrell’s most sensitive playing, replete with embellishments, a rhythmic elasticity, and complex inversions. Burrell closes the album with “Saturday Night Blues,” a driving nightcap to a bottomless evening that shifts the blues from minor to major.
In an era dominated by the glossy veneer of “Facebook blue,” Kenny Burrell ‘s Midnight Blue sets the mood for a brief return to a bygone era when the deep indigo of the Yves Klein version was more common. Punctuated by Holley’s downward bass slide riff and English’s ambling hi-hat, Turrentine and Burrell stretch out on this quintessential slow jam.
Midnight Blue Blue Note Kenny Burrell’s Midnight Blue. Sunsets by SLik D